Escape Plans: 19 Dark Tales of Fantasy and Suspense
19 Dark Tales of
Fantasy and Suspense
by David Sakmyster
Escape Plans
by David Sakmyster
Escape Plans is a collection of 19 mind-bending and adrenaline-fueled stories from the award-winning author of THE PHAROS OBJECTIVE, BLINDSPOTS and CRESCENT LAKE. Ranging from dark fantasy and horror to mystery, science fiction and suspense, in these tales you’ll encounter a chilling cure for cancer, a demonic GPS device and a ghost marriage to a jealous and deadly bride; here you’ll find alternate quantum histories, underwater zombies and a basement serving as a time portal; you’ll experience environmental disasters on a galactic scale, meet a man who can erase lives with the stroke of a marker, practice ancient arts of divination—with frightening consequences, and visit a grim future set against humanity’s last days. Emotional, terrifying and thought-provoking, make your plans to escape today.
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Smashwords Edition – 2014
WordFire Press
wordfirepress.com
ISBN: 978-1-61475-197-7
Copyright © 2014 David Sakmyster
“Ladders” © 2008
(first appearance Chizine #33, 2008)
“Five Star Review” © 2013
(first appearance: Dark Fusions, edited by Lois Gresh, 2013)
“Roadside Assistance” © 2009
(first appearance: Horrorworld, 2009)
“Wrong Basement” © 2009
(first appearance: Abyss & Apex #32)
“Red Envelope” © 2005
(first appearance: The Writers of the Future Anthology XXIII, 2005)
“Bait” © 2008
(first appearance: Black Static #7, 2008)
“Past Tense” © 2003
(first appearance: Would that it Were, 2003)
“Guardians” © 2002
(first appearance: Distant Worlds, 2002)
“Plastromancer” © 2008
(first appearance: Paradox #12, 2008)
“Blackout Man” © 2009
(first appearance: Talebones #38, 2009)
“Combers” © 2006
(first appearance: Writers Digest Genre Contest winner, 2006)
“Time Frame” © 1998
(first appearance: Night Terrors, 1998)
“Hotline” © 1999
(first appearance: Crimson, 1999)
“Internal Affairs” © 2008
(first appearance: Withersin #1.3, 2008)
“Turning Time” © 2007
(first appearance: Abyss & Apex #23)
“Casualty Notification Officer” © 2009
(first appearance: Dark Recesses, 2009)
“For Sale” © 2012
(first appearance: Blood Lite 3: Aftertaste,
edited by Kevin J. Anderson, 2012)
“Restoration” ©2004
(first appearance: Paradox #5, 2004)
“Smithsonian Objective” © 2014
(first appearance: The Morpheus Initiative Omnibus,
Hive Publishing, 2014)
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval system, without the express written permission of the copyright holder, except where permitted by law. This novel is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination, or, if real, used fictitiously.
This book is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. Thank you for respecting the hard work of this author.
Cover design by Clarissa Yeo
and
Art Director Kevin J. Anderson
Book Design by RuneWright, LLC
www.RuneWright.com
Kevin J. Anderson & Rebecca Moesta, Publishers
Published by
WordFire Press, an imprint of
WordFire, Inc.
PO Box 1840
Monument, CO 80132
Electronic Version by Baen Books
www.baen.com
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Dedication
All of these stories, my personal dreams, never would have been exposed to the world outside my mind if not for the support and contributions of the following editors. My apologies if I’ve unintentionally left anyone out, but my thanks goes out to: Kevin J. Anderson, Lois Gresh, Brett Alexander Savory, Wendy Delmater, Nanci Kalanta, Paula Guran, Christopher Cevasco, Patrick Swenson, Misty Gersley and Bailey Hunter.
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“Stories, like conjuring tricks, are invented because history is inadequate for our dreams.”
–Steven Millhauser
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Ladders
One of my favorite stories, Ladders was published in issue #33 of ChiZine. I love the Big Apple, but after a few days I’m always at a saturation point, overwhelmed by the crowds and congestion and longing for open space or simply an unbroken view of the sky. That feeling was the genesis of this allegorical tale about an inescapable city and a population so desperate to escape that they turn to the only direction left …
When the body slammed into the pavement right in front of Charles Lang, splattering bone and muscle and exploding in a grisly mess that even cracked the concrete street, his first thought wasn’t that he’d just narrowly escaped being killed; instead he was struck by a Newtonian apple-dropping-Eureka moment: a flash of insight as to how he might prevent these increasingly commonplace falls—prevent them, and also get rich in the process.
The problem, after all, began with the ladders.
But ‘ladders’ was a misnomer. Lang would rarely find such conventional structures: garden-variety ladders that opened at an angle and were built for safety. Those sorts could only take a climber so far. More often, the ladders were simply haphazard collections of things set atop other things, assemblages constructed on the city’s rooftops for just one purpose: to realize a height greater than that allowed by building codes.
The city’s residents climbed these ladders in order to see something of the sky, to peek at the mythical horizon or just glimpse the unremembered heavens; to see something of real clouds, wispy and dreamlike, and to stare at the burning sun until they wept with joy and forgot all about their lives below.
And that’s why they needed someone like Charles Lang. Someone down on his luck, someone desperate—someone with a little vision and drive. Someone also, who wasn’t afraid of heights. Apart from that, he was nothing special. Simply in the right place at the right time.
It had happened to Newton, and now it was happening to Lang.
He invented the position and became the first—and so far only—Retriever. Changing times call for changing professions, and entrepreneurs with a little foresight can blaze new trails. It’s a dangerous job, but the money’s good—fantastic in fact, and it’s saved him from sleeping in urine-soaked alleys and freezing all night in the worst food lines. Relatives and loved ones will always pay top dollar for someone who will risk their neck to bring back poor mom or grandpa, or little Timmy. But for Lang, it isn’t all about the cold hard cash. There are other perks.
In retrieving these poor saps who have ascended so high that they’ve gotten themselves stuck like the proverbial cat up a tree, he’s not just performing a service. He’s also escaping the city for the better part of every day, breathing in the sweet air of the translucent sky far, far above the grimy streets, the exhaust fumes and the reek of sew
age, trash, rot and decay.
It is his one guilty vice. It’s intense, erotic even, when the wind is just right, and the air so fragrant, and the ladders shudder just so. He enjoys every second of it, despite the risks, despite the reception when he gets up there—just like the firemen of old, suffering the scratching and clawing of the unwilling and ungrateful.
Like Ben Fullmer.
Ben’s an example of a disturbing new trend: climbers who latch themselves to the top rungs. Twine, rope, handcuffs—anything that can bind. Secured, as if they know he’s coming for them. Defiant bastards. They’re content to just hang there with all the others, individual thorns in the city’s brittle crown. These climbers, wet in the driving rain, embrace their ladders, and it’s as if they’re caught in an infinite moment of rapture. Nothing can shake them loose or even make them blink. Nothing, of course, except for Lang coming to retrieve them.
While he’s up there cutting Ben Fullmer loose, trying to avoid the man’s kicking feet and snapping teeth, Lang finds himself drawn to the stark vision of all that mortality amidst the infinite space above: a sea of wobbling, half-dead men, women and children as far as the eye can see. Climbing, grasping, holding on with bruised and swollen fingers.
Some of them, he knows, will need his services soon. Their relatives will call and plead, “So-and-so went up our ladder two days ago and hasn’t come down. I’d go up, but I’m afraid, and he’s too heavy …” On and on it went. He usually tuned out their bullshit excuses—and readied his own.
Because sometimes he came back without his targets. If they were already dead—just hanging there with mouths open in a crooked smile, their eyes wide and glazed, staring up, always up despite the angle of their drooping necks—then sometimes he’d just cut them down and let them fall where they may.
Obviously it wouldn’t hurt them any, and as long as no one was in their path it was the safest way to get them down. Safest for him, that was, and definitely easier than lugging dead weight and trying to keep his balance at the same time.
Occupational hazard, it might be pointed out, but still—he created this position, so he could make the rules. If they’re dead, he drops them. Simple as that.
Then, like Ben, there are others—not quite dead, but Lang wishes he could just cut them loose and give them a shove all the same. They seem to have a death wish anyway. Why not grant it?
But he doesn’t yield to such unprofessional temptations. He cuts this man loose—no easy task as Lang has to balance his legs between the rungs and use bolt cutters to snap off Ben’s handcuffs, then grab the man and somehow pull him down without the both of them slipping to their deaths. At the bottom, Ben’s still struggling, trying to break free and race back to the ladder.
But Ben’s brothers are on the roof. They hold him back while Lang ‘cleans up.’ He breaks down the ladder using a hammer. He just whacks the base connectors a few times and the whole thing comes down. These people were by no means professional architects.
Of course, another ladder will probably take its place by next week. Repeat clients were a large part of Lang’s income.
Afterwards, he has one of Ben’s brothers sign the invoice, pay the bill and close out the tab, and then he’s off to the next assignment.
As luck would have it, he doesn’t have far to go: only two buildings over. The electric company called this one in. More often than family or neighbors, most of Lang’s referrals came from desperate bill collectors. A newly married couple ascended together three weeks ago and haven’t been seen since.
Lang shakes his head, but this too is not a first.
As the elevator takes him to the next rooftop, and as static crackles over speakers that once played soothing music, he thinks about this situation, this phenomenon that’s so widespread, yet so disregarded.
People prefer to ignore what goes on over their heads. But sometimes he’ll catch whispered speculations on the street. Some argue that the climbers’ efforts would be better served if they were to go sideways—that in time, if they continued in one direction, they should reach an eventual border and beyond the city’s edge should be what their collective history calls Open Space. Green fields. Lush valleys, jungles even. Perhaps a sandy beach upon a nameless ocean’s shore. Waves and waves of unbroken blue stretching as far as their eyes could see, meeting somewhere and melding with a violet-turquoise sky.
But all such explorative attempts have failed. Valiant pioneers instead lose themselves and years of their lives in the twisting maze of shadow-infested alleys. They are turned around again and again and discover the same familiar haunts, the same scolding neon signs, torn-up streets and rubble-strewn sidewalks. Endless detours lead to dead-ends. Again and again they come upon ragged street vendors, congested avenues filled with dark suits, black umbrellas and blank faces that move from one shelter to the next, dodging rain, each other and the occasional falling body. Dented, rusted cabs inch forward in time-frozen gridlock.
And so, after such painful failures, they have no other choice. They go Up.
Lang wonders if this predilection might be due to some remnant in our genetic makeup, as if there were truth to the old myths that we were stardust, seeded in Earth’s primordial youth. We took root as single-celled life forms struggling to ascend out of the radioactive sludge, to perceive something beyond our limited biospheres, just as our sea-dwelling ancestors struggled and evolved and finally broke free of the sea and filled their lungs and tasted the airy world above.
Nothing has changed. Single-minded organisms, vaguely unsatisfied with their lot, unwilling merely to exist, to live and trudge back and forth to work, to ascend and descend their hive-like homes and workstations, to numbly go about their days. Still hoping to evolve, they poke their heads out from the miasma of their predicament.
Only now, it’s gotten so much harder to do that. The city holds them back. Holds them tight.
Lang has no family. No friends. He used to have a girlfriend. Sally. Dark complexion. One eye green, the other blue; hair as black as oil simmering on hot pavement. Always had a distant, dreamy look on her face, and more often than not he’d catch her furtively glancing up, as if she could possibly glimpse something lurking in the narrow gaps between the steel and brick towers.
She missed a date one Saturday. Never returned his calls. He assumed she had broken it off, maybe moved in with someone else. Another week went by, and finally he went to her apartment where the landlord, concerned about the rent, was only too happy to let him in. When Lang couldn’t find her, he went to the roof and saw the ladder; a crude, barely-sustainable concoction of rotting wood, bent nails and scrap metal.
Sally was his first retrieval.
She was also the first corpse he ever brought down. She hadn’t meant to latch herself to the top. Instead, the edge of her scarf had somehow caught on a protruding nail, and Lang found her hanging by her neck, arms and legs swaying in the wind, oily-black hair whipping and lashing at her face; those bi-colored eyes open toward the sky and her lips rigid in a smile, celebrating her victory over the spinning, jealous ground below.
Now, as he strides across the gravel-strewn rooftop, dodging bent satellite dishes and clogged vents, making his way toward the lone ladder, he hopes this isn’t one of those days where there’s a double-dose of death waiting for him up there. At the base of the surprisingly solid-looking structure, he peers up and barely makes out the two tiny forms at the ladder’s dizzying apex.
Here we go again, he thinks, slinging his pack over his shoulder and starting up the ladder.
As he climbs, he has a lot of time to think.
Lately, the job seems too daunting. So many ladders. More and more each day. He’s beginning to find multiple climbers on each one now. Two, three, four. Not enough raw materials to build more ladders. Not enough rooftops for everyone.
His mailbox is jammed with orders; his answering machine routinely runs out of space for new messages. He can’t respond to everyone. He thinks about getting a par
tner or a secretary, but doesn’t trust anyone in this city enough to share such responsibility. And anyway, thus far no one else has volunteered. His wait list is getting longer, and he knows that for most of these clients, it will be too late by the time he gets there. Bringing down a decomposing corpse—or dropping one at the feet of their relatives—doesn’t encourage them to pay their bill.
Then, sometimes there are accidents before he can even get there. Too much weight at the top, pitching the entire thing off balance. People walking on the street hundreds of feet below are often struck dead without warning.
He sees it more and more. The rains never fully wash such gore away. They’re falling faster than he can retrieve them. Sometimes he’ll save one or two on a given ladder, only to lose the third.
Sometimes they see him coming, and before he can get there—they jump.
Sometimes, he has to admit, he just wants to push them.
A few more rungs and he can see Mr. and Mrs. Ronald Kowalski latched together with a bungee cord.
Once again, he’s too late.
But this time, something stops him from immediately cutting them down and letting them fall.